Taking as its starting point the work saxophonist/clarinetist Marty Ehrlich did helping to collate a box set of previously unissued music by alto saxophonist/composer Julius Hemphill, Point of Departure’s Troy Collins traces Ehrlich’s career. Although white and with “deep family roots in Jewish liturgy”, living in St. Louis the young saxophonist was soon involved with players from that city’s Black Artist Group such as Oliver Lake and Lester Bowie. Following graduation from the New England Conservatory, Ehrlich moved to New York and worked in big bands led by pianist George Russell, and multi-reedist Anthony Braxton. Associated with other innovative players like saxophonist Tim Berne and bassist Jerome Harris, he led or was part of many small groups for the next several years. Transitioning to teaching at Hampshire College for 15 years, Ehrlich is now professor emeritus. Before Covid-19 he had intensified his recording and performing schedule. Someone who played with Hemphill for years and after the latter’s death led a sextet playing his music, Ehrlich’s skill combinations made him the perfect person to work on the Hemphill set and write about the composer. Modest, he still says that when listening to some of the solos he recorded with Hemphill who often played with the likes of trumpeter Baikida Carroll, he thinks they still “sound pretty fine”.