Next month will see the demise of SuperDeluxe, which has been one of the pillars of Tokyo’s experimental music scene for the past 16 years. The (familiar) reason: the building is earmarked for demolition. The Japan Times’ James Hadfield goes into detail about the club’s comfortable ambiance, flexible, DIY ethos and (lack of) amenities, comparing it to better-known experimental hangouts in other cities. He also itemizes some of the important gigs he’s witnessed there including sets by German tenor saxophonist Peter Brötzmann, Japanese guitarist Keiji Haino and American bass/baritone saxophonist Colin Stetson. However he doesn’t deal with the deeper question of where non-mainstream musicians will be able to play in the future as more out-of-the-way venues in major centres become victims of demolition and/or gentrification.