The Village Voice’s Michel J. Agovino uses the fact that Brazilian tenor saxophonist Ivo Perelman has released seven [!] CDs simultaneously to examine the reedist’s career, as well as praising the audacity of Leo Fagin, for whose Leo Records Perelman records. Pointing out that Perelman’s brand of no-holds-barred, unsweetened sound exploration only appeals to a minority of listeners – and is well documented, as six of the saxophonist’s CDs were released together a few months earlier – Agovino tries to situate the Brazilian within the Jazz continuum. A Bossa Nova musician playing Free Jazz is one definition he suggests. As part of the story, Agovino also mentions some of Perelman’s long-time collaborators, including pianist Matthew Shipp and bassist William Parker; and notes that in its long history Leo Records has released many other important sessions by the likes of pianists Cecil Taylor and Marilyn Crispell.