Although National Sawdust Log’s Steve Smith appears most concerned with getting master bassist Dave Holland to plug his new CD with saxophonist Evan Parker, pianist Craig Taborn and drummer Ches Smith, the veteran British musician gets space to share stories of his first exposure to Free Music in 1960s London. Holland was a participant in many of those early musical experiments along with the likes of fellow bassist Barry Guy, drummer John Stevens, guitarist Derek Bailey and Parker. In England Holland also took part in some seminal EuroImprov recording sessions, the concepts of which he brought with him when he moved to the United States to play in trumpeter Miles Davis‘ group and with others. He also kept up with the changing currents of that scene through his long-time friendship with Parker. Holland reveals how players like himself and trumpeter Kenny Wheeler in their so-called Free playing never went as far away from the Jazz tradition as many others, and he also insists that Parker’s John Coltrane influence makes his work closer to Jazz than many realize.