Reviews that mention Anna Webber

June 17, 2019

Anna Webber

Clockwise
Pi Recordings P179

By Ken Waxman

Reaching an elevated trajectory following her last CD, B.C.-born, New York-based tenor saxophone/flutist Anna Webber aided by a seasoned septet, re-conceptualizes into new compositions impressions of 20th Century composers’ percussion works.

Percussiveness not percussion is the major focus, even though her studio reassembling of Ches Smith’s echoing tympani on the Felmanesque “King of Denmark II” are suitably staggering. Mostly though Smith sticks to drums and vibraphone to provide the precise clamor and ringing clatter that swing alongside Jacob Garchik’s emotional trombone flow; place-marking stops or sweeping glissandi from Christopher Hoffman’s cello and Chris Tordini’ bass; pulsing chromatics from pianist Matt Mitchell; and stylistic chirps or snarls from Webber and tenor saxophonist/clarinetist Jeremy Viner. MORE

March 18, 2018

Matt Mitchell

A Pouting Grimace
Pi Recordings 71

Onze Heures Onze Orchestra

Vol 1

Onzeheurs Onze ONZ020

Having a singular, original vision is often cited as the best way to create outstanding music, more so when, as on these sessions here, concepts can be communicated to a large ensemble. Yet individualism doesn’t necessarily edge out a collegial approach. New York-based keyboardist Matt Mitchell for instance obviously aimed to create an original take on contemporary sounds that mixed notated, improvisational and electronic tropes, and he rounded up a dozen of the city’s most accomplished players to interpret his 10 compositions. Yet all too often on A Pouting Grimace, the composer and his associates appear to be leaping from one idea to another, exposing a variety of concepts, but with no logical continuum that draws together the detonating themes. MORE

November 1, 2017

Erik Hove Chamber Ensemble

Polygon
Inner Circle Music No #

The Revoid Ensemble

The Revoid Ensemble

Found You Recordings FYR 034

Like sartorial choices which are deemed completely passé, but turn up more popular than ever years later, Third Stream Music which was declared dead and buried in the mid-1960s continues to be an accoutrement in use by many modern musicians. Although they would likely avoid the phrase itself, the composer/band leaders of these notable sessions are uniquely mixing improvised and notated tropes. The measure of their achievements is how they prevent the shibboleths of either to swamp the concepts of the other. MORE

August 19, 2017

Harris Eisenstadt

Recent Developments
Songlines SGL 1620-2

Harris Eisenstadt Canada Day

On Parade in Parede

Clean Feed CF 413 CD

By Ken Waxman

Having reached a comfortable maturity in his playing and composing, Toronto-born, Brooklyn-based percussionist Harris Eisenstadt isn’t averse to showcasing both his talents in varied settings. Like an athlete who excels at more than one sport, the drummer has with On Parade in Parede created a spirited FreeBop session with his Canada Day quartet. Meanwhile Recent Developments is a spiky recasting of composed chamber jazz played by a nonet. MORE

February 18, 2017

NPR’s 11th Annual

Jazz Critics Poll Ballot
2016

•Your name and primary affiliation(s)

Ken Waxman: Jazzword.com The New York City Jazz Record; Whole Note

•Your choices for this year’s 10 best New Releases listed in descending order

1. Alexander Hawkins Trio Alexander Hawkins Music AH 1001

2. Anna Webber’s Simple Trio Binary Skirl Records 033

3. Michael Formanek Ensemble Kolossus The Distance ECM 2484

4. Artifacts Reed-Reid-Mitchell 482 Music 482-1093

5. Umlaut Big Band Euro Swing Vol. 2 Umlaut UMFR-CD18 MORE

December 11, 2016

Anna Weber’s Simple Trio

Binary
Skirl Records 033

Circadia

Advances and Delays

SOFA A551

Franklin Kiermyer

Closer to the Sun

Mobility Music MMII016

Bennett/Johnston/Mezzacappa/Rosaly

Shipwreck 4

NoBusiness Records NBCD 67

Michael Vlatkovich

Myrnofant’s Kiss

pfMentum CD 095

Something In The Air: Catching up with Canadian Expats

By Ken Waxman

Q: What’s the best way to become famous in Canada? A: Leave the country. Unfortunately that hoary jape still has currency in 2016, especially if you want to be a renowned actor. Music is less aggressive and plenty of first-class musicians make their home in the dominion; some foreigners even relocate here. Still for many improvisers concerns, both personal and professional, cause them to abandon their native land. Expatriation often means interaction with a wider crew of players than if they had stayed put and these recent discs capture the results of these challenges. MORE

January 1, 2016

NPR’s 10th Annual

Jazz Critics Poll Ballot
2015

Ken Waxman (The New York City Jazz Record, Jazz Word)

NEW RELEASES

  1. Roscoe Mitchell, Celebrating Fred Anderson (Nessa)
  2. Daniel Carter-William Parker-Federico Ughi, Navajo Sunrise (Rudi)
  3. François Carrier-Michel Lambert-Rafal Mazur, Unknowable (Not Two)
  4. Anna Webber, Refraction (Pirouet)
  5. Tim Berne, You've Been Watching Me (ECM)
  6. Evan Parker, Seven (Victo)
  7. Samuel Blaser, Spring Rain (Whirlwind)
  8. Akira Sakata-Giovanni Di Domenico-John Edwards-Steve Noble, Live at Cafe Oto (Clamshell)
  9. James Falzone & the Renga Ensemble, The Room Is (Allos Documents)
  10. George Freeman & Chico Freeman, All in the Family (Southport)
MORE

November 6, 2015

Anna Webber’s Percussive Mechanics

Refraction
Pirouet Records PIT 3079

By Ken Waxman

Audaciously extending her conceptual chops, composer Anna Webber has created a suite of sorts with Refraction, bookending the program with a prelude and postlude sonically coordinated but not copied, while those tracks and the other five subtly reflect motifs which swirl throughout. A British Columbian turned Brooklynite, Webber, who plays tenor saxophone and flute here, is joined on this journey by other musicians whose playing is neither overly percussive nor mechanical. MORE

December 6, 2014

Stemeseder/Gray/Webber

Jagged Spheres
No label No #

Anna Webber

Simple

Skirl Records 027

By Ken Waxman

A Brooklyn resident since 2008, Kelowna B.C.-native Anna Webber’s work has followed two trajectories aptly defined on these releases. A tenor saxophonist/flutist who studied music in Montreal, NYC and Berlin, she has an urban side – reflected in the cooperative Jagged Spheres trio’s emphasis on seamlessly combining composition and improvisation in its work – plus a rustic one which permeates her compositions on Simple. That CD’s pieces were all written during a Webber sojourn on Bowen Island, near Vancouver. MORE

December 6, 2014

Anna Webber

Simple
Skirl Records 027

Stemeseder/Gray/Webber

Jagged Spheres

No label No #

By Ken Waxman

A Brooklyn resident since 2008, Kelowna B.C.-native Anna Webber’s work has followed two trajectories aptly defined on these releases. A tenor saxophonist/flutist who studied music in Montreal, NYC and Berlin, she has an urban side – reflected in the cooperative Jagged Spheres trio’s emphasis on seamlessly combining composition and improvisation in its work – plus a rustic one which permeates her compositions on Simple. That CD’s pieces were all written during a Webber sojourn on Bowen Island, near Vancouver. MORE