Reviews that mention Steve Wiliamson

October 1, 2014


Babel Label BDV 14128

Three musicians playing together don’t necessarily constitute a trio. This live CD confirms that. For no matter how sophisticated some of the improvisatory techniques used here – and many sounds on these three tracks are definitely arresting – the billing of the Blacktop duo plus special guest is convincingly correct. High quality on an individual basis, the three players work never jells into a satisfying three-way dialogue.

The reason is simple. Even this early in the partnership of marimba player Orphy Robinson and keyboardist Pat Thomas their shared expertise in astute free music has forged a common bond. Meanwhile guest Steve Williamson, although a constantly employed saxophonist, still seems to take his cues from more popular music. In other words Williamson, who has backed the likes of Courtney Pine and Iain Ballamy while searching for his own jazz-funk fusion, is committed to entertainment. The others, whose collaborators have included players who probe sound’s farthest reaches such as Derek Bailey, Lol Coxhill, Don Cherry and Henry Threadgill, try more complex strategies to reach more profound goals. MORE

November 30, 2011

Pat Thomas/Oxford Improvisers Orchestra

4 Compositions for Orchestra
FMR CD 293-0810

AIM Toronto Orchestra

Year of the Boar

Barnyard Records BR0322

Spurred by the world-wide conduction projects of Butch Morris and their results, improvising ensembles in Europe and North America have been organized to advance the concept of playing free music on a larger scale.

Although there are notable orchestras in expected places such as London, New York and Berlin, often the most remarkable, and certainly the most original, large group interpretations come from bands in smaller centres. Working with a group of like-minded musicians in his hometown, for instance, British pianist/electronics manipulator Pat Thomas has composed dissimilar pieces for the Oxford Improvisers Orchestra (OIO) on this CD. Involving voices, non-Western instruments, a tribute to a Jazz master and a literal violin concerto, each moves in a different fashion. Toronto’s AIM Toronto Orchestra (AIMTO) on the other hand plays pieces by four different composers on its seven-track CD. However under the direction of artistic director/soprano saxophonist Kyle Brenders, who penned the two lengthiest pieces, a harmonic uniformity exists. MORE