Reviews that mention Brandon Seabrook

August 19, 2017

Harris Eisenstadt

Recent Developments
Songlines SGL 1620-2

Harris Eisenstadt Canada Day

On Parade in Parede

Clean Feed CF 413 CD

By Ken Waxman

Having reached a comfortable maturity in his playing and composing, Toronto-born, Brooklyn-based percussionist Harris Eisenstadt isn’t averse to showcasing both his talents in varied settings. Like an athlete who excels at more than one sport, the drummer has with On Parade in Parede created a spirited FreeBop session with his Canada Day quartet. Meanwhile Recent Developments is a spiky recasting of composed chamber jazz played by a nonet. MORE

February 11, 2014

Black Host

Life In the Sugar Candle Mines
Northern Spy NS 039

Adam Lane Trio

Absolute Horizon

NoBusiness NBCD61

The Sabir Mateen

Jubilee Ensemble

NotTwo MW 862-2

By Ken Waxman

From the time he relocated to NYC from Virginia about a decade ago, alto saxophonist Darius Jones made a major impact on the local scene, partnering with the likes of pianist Matthew Shipp, plus releasing acclaimed CDs as a leader. But Jones is a collaborative musician and these notable discs find him using his considerable talents to help realize others’ visions. MORE

December 23, 2013

8th Annual Jazz Critics Poll – NPR Music

Ken Waxman
(The New York City Jazz Record, Jazz Word)

NEW RELEASES

1. Convergence Quartet, Slow and Steady (NoBusiness)

2. Andrew Cyrille, Duology (Jazzwerkstatt)

3. Black Host, Life in the Sugar Candle Mines (Northern Spy)

4. Scott Neumann, Blessed (Origin)

5. Michel Edelin, Resurgence (RogueArt)

6. Ab Baars-Meinard Kneer-Bill Elgart, Give No Quarter (Evil Rabbit)

7. Maria Faust, Jazz Catastrophe (Barefoot)

8. Barry Altschul, The 3dom Factor (TUM)

9. Mark Dresser, Nourishments (Clean Feed)

10. Alexey Kruglov-Alexey Lapin-Jaak Sooäär-Oleg Yudanov, Military Space (Leo) MORE

September 24, 2013

Black Host

Life In the Sugar Candle Mines
Northern Spy NS 039

Taking another shot at stretching improvised music’s boundaries is New York super group Black Host, which brings to boil inflections from Free Jazz, modal improvising, electronics, Thrash Rock and ProgRock to forge its own sound. Overall, nuanced friction could be described as the performance mode here.

With all tracks but two credited to drummer Gerald Cleaver, who is also listed as contributing sound design, Cleaver obviously had a major influence on the end product. Yet as a drummer who has worked with players as different as saxophonist Roscoe Mitchell and trumpeter Tomasz Stanko, he obviously has wide-ranging interests. Ditto for guitarist Brandon Seabrook, who is sometimes found in Rock settings, and piano and synthesizer player Cooper-Moore, who when not working with the likes of bassist William Parker, creates his own version of roots music on home-made instruments. Meantime alto saxophonist Darius Jones and bassist Pascal Niggenkemper are busy jazzers. MORE

September 14, 2013

Mostly Other People Do The Killing

Red Hot
Hot Cup HC 125

By Ken Waxman

Trumpeter Peter Evans, who along with drummer Weasel Walter, bassist Tom Blancarte and pianist Charity Chan is featured at a Punk-Jazz-Improv concert at the Array Music space on September 4, has quickly become one of jazz’s most in-demand and versatile brass men. Proficient elsewhere playing atonal music, this CD by an expanded version of the co-op Mostly Other People Do The Killing (MOPDtK) group finds the New York-based brass man helping to create a respectful but sophisticated take on early jazz. That Evans has mammoth chops is without question, and you can note that on Zelienople, where following a wood-block [!] break from drummer Kevin Shea, Evans’ open-horn exposition is bird-song sweet at one instance and growly as a wart hog by the next. Meanwhile on Orange is the Name of the Town, he fires off triplet patterns after triplet patterns with aplomb. MORE

October 7, 2012

Guy Klucevsek

The Multiple Personality Reunion Tour
Innova 819

By Ken Waxman

Probably the only person who bridges the gap among Slovenian polkas, Tex-Mex ballads, Erik Satie and John Zorn, is accordionist Guy Klucevsek. Assisted by more than a dozen other musicians, Klucevsek has come up with 13 performances here that show off every aspect of his keyboards, buttons and bellows skills and makes sure everyone has a good time as he does so.

Crucially though, the reason why The Multiple Personality Reunion Tour impresses on every level is the accordionist’s insistence on treating each of the compositions with equal deference. Three so-called hymnopedies, dedicated to Satie, for instance, including “Hymnopedie No. 2” with Dave Douglas advancing a legato variant of baroque trumpeting alongside Klucevsek’s pressurized accordion stops, are performed with the same serious intent as “The C&M Waltz”. The latter, honoring Klucevsek’s cousins, who have been waltzing to Slovenian music for more than half a century, includes the proper pumps and sways in its exposition, while subtly incorporating improvised obbligatos from Klucevsek and fellow squeeze-box specialist Alex Meixner. MORE

August 1, 2011

Brian Carpenter’s Ghost Train Orchestra

Hothouse Stomp
Accurate Records AC-5062

Brian Lynch

Unsung Heroes

Hollistic MusicWorks HMW 1

Mark Rapp’s Melting Pot

Good Eats

Dinemec Records DJCD 253

One of the unfortunate conceits that Jazz has inherited from so-called Classical music is the Great Man celebration. That is musical history reduced to a pantheon filled with Greek-like gods – every notice the architecture of most concert halls? – with commemorations of these heroes and their works taking up the majority of concerts and performances in these genres. MORE