Reviews that mention Paul Abbot

September 2, 2019


Empty Editions EE004

Program music with its inspirations concealed, uncommon Palina’tufa must be judged on its sound rather than any hidden agenda. Created by Britons alto saxophonist Seymour Wright and percussionist Paul Abbott (XT) during a two-week residency in Hong Kong, the CD’s four tracks purportedly reflect landscapes imagined in this uniquely democratic part of China. Instead of scenic reflections however, the spatial and temporal reflections created by the duo are broadened from the saxophonist’s extended techniques and feedback plus the percussionist’s adaptation of deconstructed rhythms and judicious use of electronic loops. The improvised program is singular, but also expands in terms of unparalleled technical dexterity. MORE

June 10, 2011

Festival Report:

Freedom of the City 2011
By Ken Waxman

Electronics, percussion and home-made instruments were prominently featured in many contexts during London’s annual Freedom of the City (FOTC) festival, April 30 to May 2. In spite of this, some outstanding performances involved the hyper-traditional piano or saxophone.

A snapshot of contemporary, mostly European, creative music, FOTC encompassed sounds as different as electronic processing from the likes of Adam Bohman and Lawrence Casserley; rarefied ensemble minimalism; unabashed free jazz from saxophonist Lionel Garcin’s and pianist Christine Wodrascka’s quartet; an entire evening devoted to the massive London Improvisers Orchestra (LIO); and pianist John Tilbury’s and bassist Michael Duch’s interpretations of Cornelius Cardew and Morton Feldman compositions. MORE

November 21, 2010

A New Pulse:

Another Timbre welcomes both established and younger improvisers
By Ken Waxman

Frustration, altruism and a sudden monetary windfall were the contributing factors that led Simon Reynell to found the Sheffield England-based Another Timbre record label ( in 2006. After more than two dozen releases – both on CD and CD-R – it’s now acknowledged as an artistic success.

A sound recordist for television and someone who has been “passionately into experimental music” for around 35 years, Reynell had become increasingly frustrated by what he calls the “dumbing down” of TV programming to reality and celebrity-oriented shows from the sort of proper documentaries on which he works. An unexpected inheritance gave him some capital and Another Timbre (AT) was born. Initially setting out to present the work of young improvisers involved in drummer Eddie Prévost’s 10-year-old weekly London workshop, the catalogue has expanded to include not only improvisers from outside the United Kingdom, but also established stylists such as pianist Chris Burn and sound-singer Phil Minton. MORE