Reviews that mention Kirk Knuffke

September 6, 2016

Brooklyn Blowhards

Brooklyn Blowhards
Little (i) music No #

Umlaut Big Band

Euro Swing Vol. 2

Umlaut UMFR-CD18

Quartetski Does Bartok

Mikrikosmos Sz 107

\Ambiances Magnétiques AM 224 CD

Absolutely Sweet Marie

Another Side Of Blonde On Blonde

Tiger Moon: Records TMR 003

Greg Ward & 10 Tongues

Touch My Beloved’s Thought

Greenleaf Music GRE-CD-1050

Something In The Air: Musical Inspirations Arise from Unexpected Sources
MORE

June 6, 2016

Michael Formanek Ensemble Kolossus

The Distance
ECM 2484

The Who

Zoo

Auricle Aur 14+15

Carlberg/Morris/Niggenkemper/Gray

Cosmopolitan Greetings

Red Piano RPR 4699-4419-2

Eric Platz

Life After Life

Allos Documents 012

Florian Hoefner

Luminosity

Origin Records 82706

Something In The Air: Those Who Teach Can Also Play

By Ken Waxman

As shibboleths go, the hoary “those who can do, those who can’t teach,” must rank at the very top of the list. Besides libelling the majority of educators who devote themselves to the task of imparting knowledge to students, it negates the activities of those who teach and do. Here are some musicians who maintain a full-time teaching carer along with consistent gigging. MORE

March 2, 2016

Michael Bisio

Accortet
Relative Pitch RPR 1040

Matthew Shipp Trio

The Conduct of Jazz

Thirsty Ear THI 57211

Straightforward in his improvising and composing, it’s fairly easy to understand how Michael Bisio has become bassist of choice for many of Jazz’s most exploratory players. He has had a long-time relationship with pianist Matthew Shipp as well as being part of straightforward ensembles with the likes of saxophonist Louie Belogenis and saxophonist/trumpeter Joe McPhee.

Although straightforward is straight as in a straight line, straightforward isn’t straight as in straight-ahead. For instance on the disc as part of Shipp’s trio with drummer Newman Taylor Baker; and with his newly constituted Accortet, featuring cornetist Kirk Knuffke, drummer Michael Wimberly and accordionist Art Bailey, Bisio’s creativity allows for angling unexpected strategies within these performances. But like a competitive long-distance swimmer who makes sure a guiding boat is always nearby, he ensures that tunes maintain a determined form and never drift off into cacophony. MORE

September 16, 2015

Kirk Knuffke

Arms & Hands
Royal Potato Family RPF

Tom Trio

Radical Moves

ForTune 0045 032

Circumventing the limitations of the brass-double bass-drums format with contrasting game plans are Polish trumpeter Tomaz Dąbrowski and American cornetist Kirk Knuffke. Each has come up with an equitable and equally valid solution to the challenge.

Dąbrowski, who now lives in Copenhagen structures his compositions on the Tom Trio’s second CD to take full advantage of the varied tempos, rhythms and interactions available from his improvising and that of bassist Nils Bo Davidsen and drummer Anders Mogensen, both in-demand players on the Danish scene. Cheating a bit, Knuffke’s newly constituted trio with veterans, bassist Mark Helias and drummer Bill Goodwin, features individual cameo appearances on six tracks by trombonist Brian Drye, alto saxophonist Daniel Carter and tenor and soprano saxophonist Jeff Lederer. Considering that the CD is made up of 15 tracks, including a concluding version of Ernest Tubb and his Texas Troubadours’ 1964 hit “Thanks a Lot”, the additional players broaden Arms & Hands scope, with the core trio featured enough to demonstrate its innate communication skills. MORE

September 11, 2015

Max Johnson Trio

Something Familiar
Fresh Sound New Talent FSNT 471

By Ken Waxman

After three CDs and about five years of collaboration, resourceful bassist/composer Max Johnson’s trio has attained a state of extraordinary cohesion. Filed out by the streamlined fluidity from Kirk Knuffke’s cornet and the complementary rhythms from drummer Ziv Ravitz, the trio can handle ballads and burners with equal aplomb.

Turning the narrow sound palate accessible from only three sources to its advantage, each sonic modulation reaches its intended position the way marbles fill the indentations on a Chinese checkers board, but without that game’s jarring clanks. The melody of slow-paced “Les Vague” for instance, is built around heartfelt muted cries from Knuffke, gorgeously harmonized with double bass tones that appear to be sprinkled not plucked. Its antithesis “Blips and Bloops” is unabashedly onomatopoeic, with the cornetist’s open-horn blasts and plunger smears so vivid that they’re practically emoticons, while Johnson’s spiccato triple stops strengthen the jocular theme with woody affirmations. “Hammer Song” may appear as if it’s designed to showcase Ravitz. Yet the few hard thumps he extracts from the deeper-toned parts of his kit are ultimately displaced by lively polyrhythms, as Johnson’s walking that reverberates with the power of a punch to the solar plexus, steers the tune forward. MORE

May 7, 2015

Label Spotlight

Royal Potato Family
By Ken Waxman

Unintentionally, the family part of our name has become really important,” muses Kevin Calabro when discussing the Brooklyn-based Royal Potato Family (RPF) label he co-owns with Marco Benevento. Calabro, who handles day-to-day activities of the six-year-old imprint adds: “We see ourselves as a big extended family of artists. There’s an aesthetic thread running through all of the musicians on our label even if it’s not overly apparent when glancing at the catalog”. He’s correct, since among the 55 or so discs released by RPF are ones featuring Jacob Fred Jazz Odyssey (JFJO), 6 String Drag and Grayson Capps. “We love rock, we love jazz, we love experimental stuff, we love old school country, blues and folk, we love New Orleans music, we love psych rock, so nothing is off limits musically if it resonates with us on a gut level,” Calabro, exhaults. The imprint’s unusual name came from the gut as well. Benevento heard the expression as part of a joke Bob Dylan told drummer Matt Chamberlain and began using it himself. When the label was launched and needed a name, it fit the bill. “Thankfully, it’s become enough of an institution at this point that people often just refer to it as RPF,” admits Calabro. MORE

April 2, 2015

Jeff Davis

Dragon Father
Fresh Sound New Talent FSNT 444

Hopefully Brooklyn-based drummer Jeff Davis doesn’t mind being compared to earlier percussion activists like Chico Hamilton or Art Blakey. Like Hamilton, Davis, who has long-time affiliations with the likes of bassist Michael Bates and pianist Jesse Stacken, is in many ways the perfect accompanist. He gets the job done, but never overwhelms the other players – even if he’s leading the band. That is how Blakey comes into the picture. Like the older drummer/bandleader, Davis has the knack of recruiting the most appropriate players for bands under his direction. MORE

October 6, 2014

Max Johnson

The Invisible Trio
Fresh Sound New Talent FSNT 438

GLUE

Chats With The Real McCoy

Creative Sources CS 257 CD

Starker representations of the variances between Free Jazz and Free Music probably couldn’t be presented than comparing these low-key trio sessions. Although both discs are 40-odd-minutes in length, feature a brass player, double bassist and drummer performing eight originals, confusing one with the other would be like mixing up Kid Ory and Kidd Jordan. Both methods are equally valid of course.

In the classic Jazz tradition, though somewhat unusual by featuring a cornet as the only horn, The Invisible Trio is a vehicle for the compositions of bassist Max Johnson which usually unfold with a Boppish lilt. A professional from an early age, Johnson works with other New York downtowners like saxophonist Ingrid Laubrock and violist Mat Maneri. Cornetist Kirk Knuffle plays with other groups, most notably Ideal Bread; while Israeli-born drummer Ziv Ravitz has worked with everyone from Lee Konitz to Omer Avital. Demonstrating Free Music’s geographic reach, GLUE members are all Berliners, but each is from a different country. Trumpeter Tom Arthurs is British, bassist Miles Perkin, Canadian and percussionist Yorgos Dimitriadis, Greek. MORE

November 8, 2013

Label Spotlight:

Relative Pitch Records
By Ken Waxman

We both feel that every release has been a success,” says Kevin Reilly, co-owner with Mike Panico, of the New York area-based Relative Pitch (RP) record label. “I want to stay away from categorizing our releases according to the parameters of late industrial capitalist consumerism.”

Economic methodology aside, in the less than five years since it was founded, Relative Pitch has already put out 14 well-regarded CDs, featuring younger advanced players such as guitarist Mary Halvorson and trumpeter Nate Wooley, plus veteran free musicians including bassist Joëlle Léandre and saxophonist Urs Leimgruber. MORE

October 14, 2013

Sifter

Sifter
Relative Pitch RPR 1014

By Ken Waxman

Good-humored and spirited, Sifter (the band) is a striped-down combo consisting of three of NYC’s busiest players; while Sifter (the CD) sifts out 13 highly entertaining compositions by each of the band members into a well-paced program.

Besides leading his own band(s), drummer Matt Wilson is the go-to percussionist for both mainstream and avant-garde ensembles. Guitarist Mary Halvorson sometimes seems to be working every day, if not with her own groups, than with bands led by Anthony Braxton, among many others. Meanwhile Cornetist Kirk Knuffke plays in both the other members’ groups, and has recorded well-received duet discs with pianist Jesse Stacken. MORE

October 20, 2011

Jesse Stacken/Kirk Knuffke

Orange Was The Color
Steeplechase SCCD 31717

Alexander Von Schlippenbach/Manfred Schoof

Blue Hawk

Jazzwerkstatt JW 119

Participants in these brass-piano duos are at least four decades apart in age and from two different countries, but each configuration has conceived a personal approach to sound al, but in a fashion in this reductionist setting.

Two non-East Coasters transplanted to Brooklyn, pianist Jesse Stacken and cornetist Kirk Knuffke are part of the floating gestalt of the Apple’s young performers. Both have worked with a variety of tyro and veteran musicians including saxophonist Michael Blake, bassist Lisle Ellis and drummer Kenny Wollesen. In 2009 the duo released a CD recasting tunes by Thelonious Monk and Duke Ellington, and Orange Was The Color does the same for 11 Charles Mingus compositions in a balladic configuration. MORE

July 17, 2011

Brian Drye

Bizingas
NCM East Records NCM 40130

Bruno Tocanne

4 new dreams!

IMR label IMR 002

Moving along parallel yet singular paths, these quartet discs are united by imaginative borrowing from Rock-styled rhythms plus the tonal freedom offered by advanced improvisation. Simultaneously though both trombonist Brian Drye’s all-American combo and drummer Bruno Tocanne’s French/Swiss/Canadian group express a linkage to more traditional Jazz via their instrumentation. With a front-line consisting of harmonized trumpet (or cornet) and trombone, both bands are give new impetus to a instrumental blend that goes all the way back to Louis Armstrong and Kid Ory or Red Allen and J.C. Higginbotham, and was most effectively expressed in modern times by J.J. Johnson’s trombone in tandem with Nat Adderley’s cornet or Freddie Hubbard’s trumpet. MORE

November 6, 2010

Kirk Knuffke/Lisle Ellis/Kenny Wollesen

Chew Your Food
No Business NBLP 17

By Ken Waxman

More than a musical mouthful, this session lead by trumpeter Kirk Knuffke is an apt demonstration of unselfish trio interaction. The result of a Jerome Foundation composers grant, the nine compositions, recorded live at Roulette, flow seamlessly into one another suite-like. Not only are Knuffke’s well-masticated compositional and improvisational skills served up, but the disc also confirms that ample improvisational nutrition can result with only a trumpet in the front-line – just as long as the sonic meal includes proper seasoning from other players. MORE