Reviews that mention Jean-François Pauvros
May 21, 2012
NoBusiness NBCD 38
Exceptional music that’s blazingly intense yet judiciously moderate, Curare, apparently named for the South American muscle-relaxant plant, captures sessions recorded almost two years apart from what in advanced music terms is a super group.
All of its members have been plying their trade in this gene since the 1970s, French baritone saxophonist Daunik Lazro with the likes of soprano saxophonist Michel Doneda and bassist Joëlle Léandre; fellow Gaul, guitarist Jean-François Pauvros with everyone from drummer Makoto Sato to harpist Hélène Breschand; and British percussionist Roger Turner with seemingly every advanced sound explore in the United Kingdom, North America and the Continent. Never before have they recorded in trio formation and the four tracks hang together so well because of another contradiction: each cooperates fully with the others, but no one alters his individual style. MORE
March 8, 2010
in situ IS 242
Devoting more than 40 years to painstaking developing an individual style doesn’t mean that British tenor saxophonist Evan Parker eschews new challenges and collaborations. Live is notable however, because without altering his distinctive reed patterns, Parker manages to seamlessly match his contributions to those of Paris-based Marteau Rouge. And that’s without upsetting the perceptive strategies members of the trio have developed during their years together.
Consisting of guitarist Jean-François Pauvros, whose chiming runs and twanging licks often cleave the line between rock and improv, and given direction by the unflappable drummer Makoto Sato, with cymbal rasps and mercurial backbeats, this trio interaction is further cemented by the quivering sine waves from Jean-Marc Foussat’s synthesizer. MORE