Reviews that mention Jerome Harris

May 13, 2021

Julius Hemphill The Boyé Mukti-national Crusade for Harmony

Archive Recordings 1997-2007
NewWorld Records 80825-2:

Various Artists

Not Two …but Twenty Festival

NotTwo MW 1000-2

Something in the Air: Sophisticatedly Curated Box Sets Collate and Disseminate Important Music

By Ken Waxman

Assembled since the first significant 78s were collected in one package, the boxed set has traditionally been used to celebrate important anniversaries or extensive projects. CD collections are the same with these improvised music sets aurally illuminating various programs. MORE

August 21, 2016

Krakauer’s Ancestral Groove

Table Pounding Records TPR -003

Dobrek Bistro

Featuring David Krakauer

Dobrecords 006

Forty-odd years after enthusiasm for pre-Holocaust Eastern European Jewish music led to the so-called Klezmer Revival, its characteristics have seeped into other genres, while the traditional sound itself has mutated. Like folk songs, country Blues and reggae, Klezmer tropes have insinuated themselves into many non-Klez, non-Jewish musical projects. At the same time, like speculative researchers unsatisfied with the status quo in any field, some of the more sophisticated Klezmer practitioners have moved beyond emulation and re-creation to bring alien sonic strains onto the body of Klezmer works. MORE

March 23, 2014

Marty Ehrlich Large Ensemble

A Trumpet in the Morning
New World Records 80752-2

Given a rare opportunity to show off his composing and arranging skills in a big band context, multi-reedist Marty Ehrlich accepts the challenge here. But in re-casting material for more than a dozen musicians he demonstrates the superiority of some of his compositions over others. It’s not that there’s any second-rate music here. But the tunes composed for college and high school ensembles maintain their academic and pedagogical roots. They’re pleasing yet simplistic performances without the depth and compositional sophistication of the other material. MORE

April 25, 2005


Mother Tongue
Pi Recordings PI 14

Animul ANI 104

Two variations on South-Asian musical culture point out not only its wealth, but also how it too can grow and change far beyond the somewhat arbitrary divisions between Carnatic and Hindustani sounds.

Notwithstanding HARBINGER’s use of a tabla, and that two of the musicians on MOTHER TONGUE are Indian-American, neither date has much to do with the traditional sounds of the subcontinent, nor depends on Eastern exoticism for its shape. Instead, separately, each is an example of individual intermingling of traditions with modern improvised music. MORE