Reviews that mention Mats Äleklint
February 16, 2018
Disappeared Behind the Sun
Clean Feed CF405 CD
Pan-Scan Ensemble
Air and Light and Time and Space
Hispid Records HISPI 007/ PNL Records PNL 035
Neither fish nor fowl, the small big band is actually more like a crossbred dog, which combines the best qualities of each strain. For instance a nonet such as the Scandinavian bands featured here, offers the power of larger ensemble with the flexibility of a combo. Formulated individually, these rip-roaring sagas take disparate paths to achieve a similar level of animation. MORE
December 1, 2016
Ana
PNL Records PNL 033
Zlatko Kaučič Cerkno Jubileum Orchestra
In Memory of Boštjan Cvek
Klopotec IZK CD 040
Large ensemble organizers are comparable to climbers of Mount Everest: they continue to brave the preparation and discomfort that goes into formulating the ascent for the fulfillment of the completed task. Still despite 21st century socio-economic considerations big bands are still formulated, but with the proviso that for every touring unit literally 100 others come together briefly for a particular program. The ensembles here, each coincidentally led by a percussionist, reflect both side of this equation. Subsidized by merchandise sales, government aid and his own gumption, in between his many other commitments, Norwegian drummer Paal Nilssen-Love has kept his Large Unit on the road since 2013. Ana is a distinctive part of its discography because his three compositions add Brazilian rhythms played by Brazilian percussionists to his band already made up of musicians from Norway, Sweden, Denmark and Finland. MORE
August 6, 2016
Ljubljana Jazz Festival
By Ken Waxman
Located on both banks of the picturesque Ljubljanica River, Ljubljana, capital of Slovenia, is a pleasant city containing, unique historical edifices mostly designed by the city’s early 20th century starchitect Jože Plečnik. Ljubljana is replete with pedestrian-only areas, especially near the iconic Triple Bridge, with parts of its main street restricted to public transit and bicycles. In modern times, Ljubljana has been part of the Austro-Hungarian Empire, under Italian or French control, ruled by native dictators and kings and a member of the Socialist Federal Republic of Yugoslavia. Declaring independence in 1991, Slovenia joined the European Union in 2004. Always supportive of improvised music, the Ljubljana Jazz Festival celebrated its 57th anniversary June 29th-July 2nd this year. Performances were presented in different indoor spaces and the back-garden of the multi-level Cankarjev Dom cultural centre, one of Europe’s largest. MORE
September 1, 2015
Satan in Plain Clothes
Clean Feed CF 328 CD
Je Suis!
Ça Va?
Umlaut Records UM CD 0019
Testimony to the unquestioned maturity of Scandinavian Jazz and Improvised music is the number of youngish improvisers on the scene both in Europe and overseas. Case in point is Stockholm-based trombonist Mats Äleklint, who brings a rugged scope and agile resilience to his solo and section work. Someone who has played in bands as disparate as The Thing XXL and with Carla Bley and Steve Swallow, Äleklint is not only the link between the groups here, but ups the excitement factor each time he solos. MORE
September 1, 2015
Ça Va?
Umlaut Records UM CD 0019
All Included
Satan in Plain Clothes
Clean Feed CF 328 CD
Testimony to the unquestioned maturity of Scandinavian Jazz and Improvised music is the number of youngish improvisers on the scene both in Europe and overseas. Case in point is Stockholm-based trombonist Mats Äleklint, who brings a rugged scope and agile resilience to his solo and section work. Someone who has played in bands as disparate as The Thing XXL and with Carla Bley and Steve Swallow, Äleklint is not only the link between the groups here, but ups the excitement factor each time he solos. MORE
April 7, 2015
Artacts ‘15
By Ken Waxman
Situated in the midst of Austria’s Tyrolean Alps where chair lifts are a 20 minute walk from the central square, every second store sells ski equipment and alpine-outfitted fanatics crowd the streets, the resort of St. Johann in Tirol welcomed an equally committed but different type of fanatic March 6-8. Celebrating its 15th anniversary the annual Artacts Festival presents improvised music at the Alte Gerberei cultural centre and elsewhere. Evening performances ranged from the focused minimalism of the opening Gutvik/Kjær/Strøm trio to drummer Paal Nilssen-Love’s 11-piece Large Unit that closed the festival with confrontational brawn. MORE
June 25, 2014
First Blow
PNL Records PNL 021
Graham Collier
Luminosity-The Last Suites
Jazzcontinuum GCM 2014
Barry Guy New Orchestra
Amphi, Radio Rondo
Intakt CD 235
Danielle Palardy Roger
Le Caillou
Ambiances Magnetiques AM 215 CD
Modern Art Orchestra Plays the Music of Kristóf Bascó
Circular
BMC CD 204
Something In The Air: Translating a Singular Vision to a Large Ensemble
By Ken Waxman
MORE
October 6, 2010
Festival Météo, Mulhouse, France
August 24 to August 28
By Ken Waxman
Proving that varieties of improvised music can sound as different as the personalities of those who play it, the annual Météo festival offered a cornucopia of noteworthy sounds from the bombastic to the barely audible, solo or in groups.
Venues in this Upper Rhine French city, located 30 kilometres northwest of Basel, Switzerland, also reflected this sonic diversity. Performances take place in the hushed surroundings of a 12th Century chapel downtown, and on the city’s outskirts, a capacious night club usually used for rock shows; and, new this year, within the expanses of an abandoned 1930s’ thread manufacturing factory. MORE
January 31, 2005
The Visible
Moserobie MMP CD 022
Mistitled, as is every aural document, THE VISIBLE is obviously not about music you can see. However the resonant voicing that make up this CD by Albert Pinton’s new quintet are mostly focused on the sonorous qualities of low-pitches. Not only does the Italian-born, Stockholm-based reedist and his band elaborate eight of his choice new compositions, but the disc showcases a set of young soloists. It’s Pinton’s finest effort yet.
With the make-up of the band -- trombone, reeds, vibes, bass and drums -- reminiscent of some of the 1950s West Coast experiments, there’s still enough of a sinewy pulse from bassist Torbjörn Zetterberg and drummer Jon Fält to keep the tunes away from Cool effeteness. Without a real chordal instrument furthermore, the playing of the front line is cast in even bolder relief. MORE