Reviews that mention Paul Dutton
March 8, 2010
September 9 - 13, 2009
Always populist, the annual Guelph Jazz Festival extended its support of outdoor improvisation plus interaction between Third and First World musicians in its 16th edition, without lessening its commitment to Free Music. Much of the outstanding music-making came from the later however, with American pianist Marilyn Crispell one standout.
Featured in American, European and Canadian group settings, Crispell’s playing was powerful and outer-directed at the River Run Centre concert hall, in a trio with two AACM stalwarts, seemingly ageless tenor saxophonist Fred Anderson and colorful percussionist Hamid Drake, whose rhythmic conception is comfortable in any context. Anderson often quivered or vibrated reflective lines that were paralleled with linear arpeggios or kinetic pedal-pushed frequencies by Crispell. Meantime Drake’s palm or stick movement conveyed all the rhythm. Climax was a version of Muñoz’s “Fatherhood”, built on ecclesiastical chording from the pianist, ruffs and rebounds from Drake and gospel-like preaching from Anderson. ....
October 11, 2004
Five Men Singing
By Ken Waxman
October 11, 2004
Tonsils, the larynx, the epiglottis, Kurt Schwitters Dadaist poetry, Donald Ducks verbal anger and the mouth improv of comedian Jonathon Winters are some of the many sounds referenced on these CDs, which celebrate and showcase natures original avant-garde instrument: the human voice.
Five Men Singing is more-or-less just that. A live performance by American David Moss, Canadian Paul Dutton, Japans Koichi Makigami, Englands Phil Minton and Jaap Blonk of the Netherlands, it exposes every note, tone, timbre and texture that can be vibrated by the uvula, dredged from the throat and buzzed from the cheeks and lips. Improvisors Majaap adds an undercurrent of gender politics as Blonk faces off with Norwegian composer/vocalist Maja Ratkje. ....