Reviews that mention Lisa Sokolov

December 7, 2018

William Parker

Voices Fall from the Sky
Centering 1015/1016/1017

Grenscó/Dukay/Kovács Tickmayer/Holló

Essays-Esszék

Adyton/Hunnia Records HRCD 1726

Joëlle Léandre

Strings Garden

Fundacja Sluchaj FSR 103/2018

Tyshawn Sorey

Pillars

Firehouse 12 Records FH12--01-02-028

Something in the Air: Multiple Sonic Pleasures Available from Multi-Disc Sets

By Ken Waxman

When inspiration refuses to be limited by the single disc format, enterprising musicians record multi CDs in order to showcase more aspects of their work. Such collections are released throughout the year, but it’s usually the holiday season when music fans have the time and inclination for extended listening. Here’s a sampling of some of this year’s most accomplished multiple CD sets from the exploratory side of creative music. MORE

November 6, 2015

Giving birth to sound: women in creative music

Renate Da Rin, William Parker (editors)
Buddy Knife Publications

By Ken Waxman

When six-year-old piano student Alexandra Grimal wrote her first composition, her teacher refused to believe her, angrily insisting her older brother must have written it. Now a saxophonist, Grimal had a similar experience when she was 13 and premiered her first jazz piece for a friend’s mother. That woman too refused to believe it was original.

Anecdotes such as these in part illustrate the difficulty women have being accepted as serious composers and performers – even in so-called creative music. Giving birth to sound examines these circumstances through the first-person experiences of 48 musicians. Residing in Europe or the United States, the respondents are involved with improvised, notated, electronic and world music and remarkably candid about their musical lives. Still the volume is neither academic study nor practical hand book. The interviewees answered 20 questions and their replies are printed without comment. However, since the queries are as pointed “has being a women held you back in the development of your musical career” and “do you think you paid a price being an artist” or as broad as “what is magic” the worth of each entry varies. Some are direct and to-the-point; others lapse into generalities; a couple even detour into fables. Typos and imprecise language are left unchanged. Plus printing paragraphs in various colors and using an assortment of type sizes and styles for emphasis often irritates rather than illuminates. MORE

April 19, 2004

LISA SOKOLOV

Presence
Laughing Horse Records Lhr 1011

Lisa Sokolov has her nerve.

The New York-based singer, teacher and music therapist proves on this exceptional CD that’s she’s unafraid to tackle nearly any song. Backed by a crack rhythm team she runs through a dozen selections ranging from the most obscure originals to the most commonplace standards. In the majority of cases, she manages to create singular versions that stand on their own as improv art songs.

Almost as much an actor as a vocalist, Sokolov uses her expressive voice and mannerisms to make over such hackneyed and overdone standards as “For All We Know” and “Oh, What A Beautiful Morning”, exposing their inner workings. Taken heart-breakingly slow, backed by John DiMartino busy piano playing she emphasizes the underlying sentiments of the former more than its familiar lyrics. Then with her own spare piano accompaniment, she transforms the later into a deadly serious cry of triumph, helped immeasurably by scrupulously accented syllables and vocal melisma. MORE