Reviews that mention Cornelius Cardew

July 16, 2018

Keith Rowe

By Brian Olewnick
powerhouse Books

By Ken Waxman

Brian Olewnick is an excellent record reviewer. This nearly 500 page volume devoted to the life and music of British table-top guitarist Keith Rowe demonstrates his skill in that specialized genre by frequently offering well-though-out and insightful reviews of many sessions featuring Rowe or the ensemble with which he became well-known: AMM. While this analysis of sessions released and unreleased, plus live encounters is an important addendum to any analysis of European Free Music since 1960, it often appears to takes the place of more erudite observations in the book. MORE

November 11, 2015

Beyond Jazz: plink, plonk & scratch; the golden age of free music in London 1966-1972

By Trevor Barre
Compass Press

Out of Nowhere, The Uniquely Elusive Jazz of Mike Taylor

By Luca Ferrara

Gonzo Multimedia

By Ken Waxman

A succinct, personal, opinioned and ultimately insightful volume about the so-called First Generation of British Free Musicians, Beyond Jazz is first-time author Trevor Barre’s crisply-written, well-informed overview of the scene during those crucial seven years. A little too young and living elsewhere in the U.K., to have participated in most of the seminal London-based performances of that era, Barre’s turned to contemporary journalism, some academic studies and most importantly correspondence with 21 Free Music mover and shakers to fill out the story. Out Of Nowhere, the Uniquely Elusive Jazz of Mike Taylor is an exhaustive near hagiography tracing the brief career of a British pianist whose career began and ended in the 1960s and whose particular music and short life characterized all that was good and bad about the improvised and overall music scene during that representative decade. MORE

March 15, 2002

APARTMENT HOUSE

Cornelius Cardew: chamber music 1955-64
Matchless MRCD45-CD

Alongside his status as important modern British composer Cornelius Cardew (1936-1981) was probably one of the few outrightly romantic figures in 20th century contemporary music. Darkly handsome in a Bohemian fashion, Cardew began his career with a Royal Academy of Music education than a period as assistant to Karlheinz Stockhausen. Later more attuned to the ideas of John Cage, he was soon turning out graphical scores, and was for a period the chief link between the more radical European composers and musicians with their American counterparts. At the same time he was a founding, although short-lived, playing member of the seminal free improv group AMM. MORE