Reviews that mention Gunter Hampel

October 11, 2015

Alexander von Schlippenbach

Globe Unity
MPS DL (EAN/UPC 4250644881299)

Listening to this crucial session from nearly a half-century ago from the vantage point of 2015, suggests just how timeless some Free Jazz remains. Conversely it reminds us how much of its time programs like this one are. Globe Unity – the performance and LP which birthed a long-running European Free Music aggregation – appeared historically in between two Jazz milestones, John Coltrane’s Ascension in 1965 and Peter Brötzmann’s Machine Gun in 1968. Unlike the octet featured on the latter or the 11 players on Ascension, Globe Unity consists of 14 musicians, a small big band with strings, brass, reeds and percussion represented. MORE

April 6, 2012

Andrea Centazzo

The New York City Jazz Record Interview
By Ken Waxman

Founder in the late ‘70s of ICTUS, one of the first European artist-run labels that recorded free music, Italian-American percussionist, composer and multi-media artist Andrea Centazzo is celebrating the label 35th anniversary at The Stone this month. The festival showcases the many genres of experimental music Udine, Italy-born Centazzo, 64, has been involved with over the years. On hand will be many of his collaborators from the US and Italy. Centazzo’s musical scope is so large that some of his other musical ventures, such as composing for film, theatre and large non-jazz ensembles, could barely be mentioned in the conversation below. MORE

July 25, 2005

Northern Sun, Southern Moon, Europe’s Reinvention of Jazz

By Mike Heffley
Yale University Press

By Ken Waxman
July 23, 2005

Gifted with an imaginative thesis – the migration of innovative free music from the African-American community of the United States and its adoption and mutation by Europeans – Mike Heffley’s book encompasses interviews, analysis, musicology and philosophical concepts. Unfortunately, the academic emphasis makes some of it a hard slog for the lay reader. Often non-linear, as benefits a book on Free Jazz, the narrative is so discursive at points that it resembles those John Coltrane solos where the variations so outdistanced the theme as to almost make the head an afterthought. MORE

December 3, 2001


Globe Unity ’67 & ‘70
Atavistic Unheard Music UMS/ALP 223 CD

Souvenirs of a time when “globe unity” meant more than the convergence of commercial or military interests, this CD of never-before-released tracks feature a small army of Euro improvisers luxuriating in the freedom promulgated by John Coltrane’s ASCENSION and The Jazz Composer’s Orchestra.

Formed in late 1966, following a Berlin Jazz Festival commission for founder/pianist Alexander von Schlippenbach, the Globe Unity Orchestra (GUO) evolved over the years from this wild-and-wooly Energy ensemble to one that joined other European large groups in a concern for compositions. Besides, many might find that these two pieces, initially taped for German radio, more exciting than what came from the band afterwards. MORE