Reviews that mention Ari Brown
October 1, 2017
tak:til GB CD 048
With the object of synthesizing his experiences with Alt-Rock, World Music mysticism and Jazz-oriented improvisation, Joshua Abrams has created a characteristic record whose five tracks are equally concerned with rhythm, rapture and repetition. Experimenting with assorted sonic input from his established Natural Information Society (NIS) band plus guests the compound is distinctive. But like a mule, which is an offspring of a jack donkey and a mare, only some of the offspring appear fertile enough to germinate future experiments. MORE
November 1, 2014
Delmark DE 5011
Mihály Borbély Quartet
Hungarian Jazz Rhapsody
BMC CD 187
Sticking to the shibboleth that insists that most music played on a disc must be original is as fallacious as demanding that all disc tracks be made up of familiar standards. Nonetheless, two mainstream combos – one American and one Hungarian – effectively defy expectations in either direction with equally memorable discs. Along the way not only are high quality sounds exposed, but the differences that still exist between European and American contemporary Jazz are also demonstrated. MORE
January 16, 2006
KAHIL ELZABAR'S RITUAL TRIO/BILLY BANG
Live At The River East Art Center
Recorded in different cities seven months apart, these CDs are connected by the presence of violinist Billy Bang and a profound respect for all variations of Black improvised music.
In addition to two originals by Brooklyn-based trumpeter Ahmed Abdullah, Taras Song is a compendium of hip heads from Thelonious Monk, Ornette Coleman, Sun Ra and others. In many ways a showcase for the percussion implements of Chicagos Kahil ElZabar, Live At The River East Art Center, takes its inspiration from the drummers twin influences, Pan-Africanism and the citys Association for the Advancement of Creative Musicians (AACM). MORE
October 10, 2005
by Gerald Majer
Columbia University Press
By Ken Waxman
October 10, 2005
A non-faction memoir of tales that may or not have happened, this volume is, to overstate the case a bit, sort of an American À la recherche du temps perdu. Gerald Majer, an English professor at Villa Julie College in Baltimore, utilizes his listening experiences involving major Chicago jazz musicians, as an entrée to his ruminations and meditations on growing up in that Midwestern city.
Dont be fooled by the photograph of tenor saxophonist Fred Anderson on the cover or the two-page discography at the end of the volume however. Although Majer deals, in greater or lesser degrees, with the sounds of, among others, tenor saxophonist Gene Ammons, Anderson, bandleader Sun Ra, multi-instrumentalist Rahsaan Roland Kirk and Art Ensemble of Chicago members Roscoe Mitchell and Malachi Favors, this is no music encyclopedia or a collection of album and CD reviews. MORE
February 9, 2004
Proof, if any more is needed, that despite the doctrinaire ravings of the Neo-Cons, accomplished players can create advanced, freedom-tinged jazz while staying true to the genres roots is provided by this CD.
BLUE JAZZ is made up of two suites composed by trumpeter Malachi Thompson and performed by his 12-piece Africa Brass plus guests on reeds and vocals. An added bonus are three stand-alone tracks, one written by certified mainstream hero Wayne Shorter, and another which is the sort of down and dirty Southside Chicago blues that would probably frighten the Young Lions right out of their bespoke-tailored suits. MORE
September 20, 2000
Africa N'da Blues
Chicago percussionist Kahil El'Zabar is one younger musician who makes it a point to interact with the jazz pioneers of the 1960s and 1970s. A longtime member of the Association for the Advancement of Creative Musicians, he has built the Ritual Trio around the talents of veteran AACMers Brown and Favors, who is also a member of the Art Ensemble of Chicago. More to the point the percussionist has played and recorded with other sound pioneers from that time including saxophonists Fred Anderson, Kalaparusha Maurice McIntyre, Joseph Jarman, Archie Shepp and now Pharoah Sanders.MORE
September 11, 2000
Things To Come From Those Now Gone
Co-founder and first president of the Association for the Advancement of Creative Musicians, Muhal Richard Abrams spent his Chicago years (up to 1977) formulating and organizing new and unique ways to approach music. This 1972 reissue highlights many of them.
Although recorded over a two-day period, there's a different grouping on each track, with the sound ranging from romantic semi-classical to out-and-out freebop. At the same time, since THINGS TO COME is a peek into Abrams sonic lab, some experiments arrive stillborn.MORE