Reviews that mention Ray Anderson

December 21, 2017

Guelph Jazz Festival

September 13-17, 2017
By Ken Waxman

Striding confidentially towards its 2018 silver anniversary, this year’s Guelph Jazz Festival (GJF) was invigorated with choice concerts throughout this Ontario college town. There were artists from the United States and Europe, yet two of the notable performances were from Canadian bands. Underlying their set at the Silence arts space September 15 with processed whooshes, pulses and hums, the Montreal-based members of Jane and the Magic Banana (JMB) found that sweet spot where punk attitude, tremolo oscillations and free experimentation locked together. Consisting of guitarist Sam Shalabi, electric bassist Alexandre St-Onge and drummer Michel F. Côté, all of whom used electronic processing JMB set was characterized by quick manipulation of a continuous drone which never sacrificed narrative for effects. Two nights later at the Cooperators Hall (CH), River Run Centre the Medham quartet playing a bracing set which nearly overwhelmed with ingenuity while adhering most closely to jazz conventions. With one dozen tunes given body by steady slaps or buzzing Arco from bassist Nicolas Caloia matched by the patterning groove from drummer Isaiah Ciccarelli, these two Montrealers, plus a third, growling baritone saxophonist Jason Sharp provided the backing and in Sharp’s rippling blasts, the challenge, to Vancouver-based violinist Josh Zubot’s slick, staccato horn-like sweeps. Dazzling as he swept or plucked his strings as the rhythm section output a connective beat, the violinist replied in kind to any sonic provocation from the others. MORE

September 8, 2017


The Long Road
Auricle Records AUR 16/17


A Wing Dissolved in Light

NoBusiness Records NBLP 105


This is Beautiful because we are Beautiful People

ESP-Disk ESP 5011


Krakow Nights

Not Two MW-937-2

Something in the Air: New Excitement at the Guelph Jazz Festival

By Ken Waxman

After a couple of quiet years the annual Guelph Festival (GJF), September 13 to September 17, is newly energized and asserting its role as one of Canada’s most consistent showcases of adventurous music. Another reason for this year’s buzz is that besides the outstanding Canadian and American musicians consistently featured at the GJF, major European improvisers will be on hand as well. MORE

November 6, 2016

Omri Ziegele Noisy Minority

Wrong is Right
Intakt Records 262

By Ken Waxman

Playing together in various combinations, alto saxophonist Omri Ziegele, electric bassist Jan Schlegel and drummer Dieter Ulrich rarely record as Noisy Minority, although the trio has been together since 1995. Confirming the sentiment of this CD’s title though, the Swiss-Israeli reedist and the Swiss rhythm team confound expectations on Wrong is Right by welcoming American trombonist Ray Anderson. Unlike the proverbial fifth wheel, the voluble brass player’s contributions are like adding a fourth wheel to a European mini car. Connected as if he was part of the chassis from the beginning, Anderson helps create a smooth ride without negating Noisy Minority’s past sports car-like freedom. MORE

August 6, 2016


Virtual Tour: A Reduced Carbon Footprint Concert Series

By Ken Waxman

Ever notice that people are never shown watching TV images on television programs? That’s because the concept of a viewer watching a screen showing someone watching another screen moves into the surrealistic realm of a René Magritte painting. This is one drawback of Virtual Tour. Intriguing in conception, the idea is that four San Diego-based musicians – pianist Myra Melford, bassist Mark Dresser, trombonist Michael Dessen and flutist Nicolle Mitchell – play in real time via high-speed uncompressed audio and high definition video connections alongside three separately linked ensembles in Amherst, MA, Stony Brook, NY, and Zürich, Switzerland. Oversized video screens are on stage with each, which at points provides some arresting close-ups of intricate solo explorations or intense responses to each other’s playing. This is especially obvious during lick trading from Dessen and fellow trombonist Ray Anderson in Stony Brook, But throughout the 193 [!] -minute program there are many shots of one group or another waiting to play following solos taken elsewhere. That is visuals of people watching other people on TV. MORE

March 23, 2014

Marty Ehrlich Large Ensemble

A Trumpet in the Morning
New World Records 80752-2

Given a rare opportunity to show off his composing and arranging skills in a big band context, multi-reedist Marty Ehrlich accepts the challenge here. But in re-casting material for more than a dozen musicians he demonstrates the superiority of some of his compositions over others. It’s not that there’s any second-rate music here. But the tunes composed for college and high school ensembles maintain their academic and pedagogical roots. They’re pleasing yet simplistic performances without the depth and compositional sophistication of the other material. MORE

January 1, 2013

Harris Eisenstadt

Canada Day Octet
482 Music 482-1080

Harris Eisenstadt

Canada Day III

Songlines SGL 1596-2

Modest to a fault, despite Canadians’ contribution to Jazz since its beginnings, it took the 21st century and Brooklyn-based percussionist Harris Eisenstadt to trumpet his native land in his band name. Formed for a series of gigs beginning on July 1, Canada Day, the quintet has since become one of the Toronto-born drummer’s main touring vehicles. Finally now including another Canadian-in-the-U.S. – powerful and unfussy bassist Garth Stevenson – in the band, the high-quality CDs here demonstrate the flexibility of the core unit plus the percussionist’s compositional heft when writing for both the regular group and an expanded octet. MORE

January 15, 2012


The Other Parade
Clean Feed CF 223 CD


10 Pieces

Gligg Records 009

Contemporary trombonists’ command of multiphonics as well as more conventional techniques has made their playing more versatile. But it’s still a rare trombonist who is confident enough to have his as the only horn in any sort of ensemble. Two who face the challenge admirably are American Ray Anderson, one-third of the 33-year-old BassDrumBone band and German Christof Thewes, part of numerous Continental combinations. The Schiffweiler-based brass man has given himself an even tougher assignment than Anderson. For while the Yank has long been partnered by bassist Mark Helias of New York and drummer Gerry Hemingway, who now lives in Luzerne, 10 Pieces is a CD of stark improv involving Thewes and bassist Jan Oestreich from Saarbrücken. Still, surprisingly or not, both CDs come off as equal, demonstrations of trombone triumphs. MORE

July 12, 2011

Barry Altschul Trio

Sackville SKCD2-3023

Julius Hemphill

Roi Boyé & the Gotham Mintrels

Sackville SKCD2-3014/15

Oliver Lake/Julius Hemphill

Buster Bee

Sackville SKCD2-3016

George Lewis

The Solo Trombone Record

Sackville SKCD2-3012

Anthony Davis

Of Blues and Dreams

Sackville SKCD2-3020

Karl Berger & Dave Holland

All Kinds of Time

Sackville SKCD2-3010

Roscoe Mitchell

July 12, 2004


Experiencing Tosca
Winter & Winter 910 093-2

The Current Underneath
Leo CD LR 379

Two approaches to the standard jazz piano trio end up with vastly different results with only one making a major statement.

On THE CURRENT UNDERNEATH, Swiss pianist Michel Wintsch puts aside the sentimental streak that undermined earlier efforts with his Euro-American WHO Trio to create nine slices of thoughtful improvised music. Japanese pianist Masabumi Kikuchi and his two famous American sidemen in Tethered Moon, seems to have picked up all the indolent romanticism cast aside by Wintsch however, making EXPERIENCING TOSCA, a torpid and somewhat lugubrious exercise, more notable for lockstep methodology and top-flight recording sound than a range of emotions. MORE

February 8, 2002


Just Add Water
Palmetto PM 2081

For years the definition of the so-called “downtown New York” drummer, Bobby Previte has never stopped moving for long. He has mixed it up with everyone from saxophonist John Zorn to guitarist Elliott Sharp, helmed a variety of bands with ever more bizarre names, scored indie films, appeared as an actor in a Robert Altman movie, given percussion workshops, and written music for the Moscow Circus.

Organized as a combo to tour Europe playing the music of his remarkable debut LP in 1987, the dynamism of this Bump band encouraged him to write new tunes and this CD is the happy result. Built around a rhythm section of veteran electric bass player Steve Swallow, pianist and old friend Wayne Horvitz and Previte, the group has space age tailgate specialist trombonist Ray Anderson, Marty Ehrlich, unexpectedly on tenor saxophone, as its front line. Bump’s blowers are expanded by Defunkt trombonist Joseph Bowie on this disc. MORE

January 8, 2002


No Images
CRI Blueshift 2002

Quartet Lucy
CRI Blueshift 2003

The Claudia Quartet
CRI Blueshift 2004

Moving among improv, big band jazz, New music and song-based material, percussionist/composer John Hollenbeck has made a name for himself in New York over the past half-decade. During that time, Hollenbeck, who also has a master’s degree from Rochester’s Eastman School of Music has worked with folks as varied as dancer/composer Meredith Monk, arranger Bob Brookmeyer, “downtown” trumpeter Cuong Vu and Klezmer brassman Frank London. MORE