Reviews that mention Matt Ingalls

September 21, 2012

Kyle Bruckmann

On Procedural Grounds
New World Records 80725-2

Kyle Bruckmann’s Wrack

Cracked Refraction

Porter Records PRCD 4061

As improvised music’s pre-eminent – well let’s face it probably only – oboe and English horn specialist, Oakland, Calif.-based Kyle Bruckmann has been flexing his organizational muscles as a band leader and composer during the past few years. These recent CDs showcase these talents admirably along, of course, with his distinctive soloing.

Gigging with New music ensembles, the Stockton Symphony and many area regional orchestras plus a smattering of Rock and electronic music bands is how Bruckmann makes his living, but it’s with his own Wrack quintet that he expresses his own ideas. Mostly consisting of Chicago musicians with whom Bruckmann played before relocating to the Bay area in 2003, the band is filled out by one player, violist Jen Clare Paulson, who is mostly involved in notated music ensembles, plus three others – bass clarinetist Jason Stein, bassist Anton Hatwich and percussionist Tim Daisy – who usually work the Improv/Jazz side of the equation, with associates such as saxophonists Ken Vandermark and Dave Rempis. MORE

July 15, 2008

Grosse Abfahrt

Erstes Luftschiff zu Kalifornien
Creative Sources CS 065 CD

Grosse Abfahrt

Everything that Disappears

Emanem 4146

Named for a German dirigible that in 1908 crashed near Berkeley, Calif. during an unsuccessful demonstration of its potential as trans-oceanic liner, both of Grosse Abfahrt’s CDs are organized around more successful European-American interfaces.

Undoubtedly it’s because the only air being distilled here are the currents propelled from the eight instruments on Erstes Luftschiff zu Kalifornien and the nine on Everything that Disappears. Also more in keeping with 21st Century improvisation, the fuel of choice – besides the musicians’ inventiveness – is electricity, not hydrogen gas. Plus, as opposed to brief duration and subsequent crash of inventor John Morrell’s disastrous flight, only one improvisation on either intriguing set is less than three minutes in length. Most clock in around the 10-minute mark, with the first disc’s “interkontinentale luftschiffahrt” proceeding for almost 19 minutes while the other session’s “geometric undulating driveway symmetrical, all the road of masters” unrolls for nearly 39 minutes. Depending on traffic, the later probably is likely a longer time-frame then it takes to drive between San Francisco and Berkeley. MORE

July 15, 2008

Grosse Abfahrt

Everything that Disappears
Emanem 4146

Grosse Abfahrt

Erstes Luftschiff zu Kalifornien

Creative Sources CS 065 CD

Named for a German dirigible that in 1908 crashed near Berkeley, Calif. during an unsuccessful demonstration of its potential as trans-oceanic liner, both of Grosse Abfahrt’s CDs are organized around more successful European-American interfaces.

Undoubtedly it’s because the only air being distilled here are the currents propelled from the eight instruments on Erstes Luftschiff zu Kalifornien and the nine on Everything that Disappears. Also more in keeping with 21st Century improvisation, the fuel of choice – besides the musicians’ inventiveness – is electricity, not hydrogen gas. Plus, as opposed to brief duration and subsequent crash of inventor John Morrell’s disastrous flight, only one improvisation on either intriguing set is less than three minutes in length. Most clock in around the 10-minute mark, with the first disc’s “interkontinentale luftschiffahrt” proceeding for almost 19 minutes while the other session’s “geometric undulating driveway symmetrical, all the road of masters” unrolls for nearly 39 minutes. Depending on traffic, the later probably is likely a longer time-frame then it takes to drive between San Francisco and Berkeley. MORE

December 27, 2004

JOHN SHIURBA

Triplicate
Spool Arc SPA402

JOHN SHIURBA
5x5 1.1=M
Unlimited Sedition ULS01

Glimpses into the inventive gray matter of composer/guitarist John Shiurba, these CDs made seven months apart in the same Oakland, Calif.-studio, show him and a nearly identical group of sidefolk exposing two leitmotifs.

The mathematically titled 5x5 1.1=M is a pure instrumental effort mixing composed and spontaneous material with echoes of Anthony Braxton’s Ghost Trance Music (GTM) -- not surprising since Shiurba has worked with the influential reedman. More daring, TRIPLICATE extends the basic band on both CDs -- reedists Matt Ingalls and Dan Plonsey, bassist Matthew Sperry and percussionist Gino Robair -- by adding trumpeter Tom Djill, trombonist Tom Yoder and more critically the voices of Lara Bruckmann and Morgan Guberman. The guitarist only conducts on the latter, though he does play on the first disc. MORE